Jimmy Story Review: 1.4 Jimmy, Detective

The Three Musketeers (Roger, Charles, and Bill) have decided to investigate a brooch now missing, but previously in the ownership of Sally's visiting aunt.

As Jimmy is not allowed to join, he and Bobby agree to investigate themselves. The Three Musketeers go off following a clue. Jimmy has it all figured out. His logic is that the criminal always returns to the scene of the crime, in this case the greenhouse, so that's where they'll catch him. The trap will be a bucketful of 'spraying stuff' fitted up over the greenhouse door.

Jimmy leaves Bobby and goes inside, in search of something handcuff-like to secure the criminal. His search takes longer than expected, however he does find a chain and a rusty hook. His mother informs him that Sally's aunt has now found the brooch - caught in a scarf. Mrs Manning has told her to go and gather any carnations from the greenhouse that she might like.

Running breathlessly, Jimmy heads towards the greenhouse - we know the outcome! - the spraying stuff has gone all over her! She's gone off in a huff, 'like a volcano'.

Sally appears in the gap of the hedge, which they regularly meet at, and asks if he say covered her aunt in lime wash. He admits to the mistake, however Sally is jubilant at this knowledge - all she wanted was for the aunt, who has been bossing her around, to go home. She's currently packing, refusing to stay. She was fed up with Roger trying to find the brooch. All of this leaves Jimmy the hero, for once, and not Roger.

Characters:

Roger
Charles
Bill
Jimmy
Bobby
Mrs Manning
Sally

Just William at Christmas

It's the most wonderful time of the year! Here's a quick video with some ways to enjoy William during the Christmas period. Enjoy!

MIST Story Review: Harry Lorrimer

Harry Lorrimer is the seventh story from the compilation called MIST and other stories by Richmal Crompton.



Synopsis
It is Gregson, who we meet during his time on holiday at Framebridge, who tells us this tale of possession. He has been told of good fishing at Framebridge, but realises that this isn't the case. Coming across a wonderful inn, but the name of Barley Mow, he decides to stay the week anyway, rather than return to London.
On one of his walks he comes across an old friend from college, Harry Lorrimer, who invites him to dinner at his home, Framebrodge Manor. While Gregson readily agrees, he then spends hime back at Barley Mow feeling "vaguely disturbed" by the meeting. This doesn't feel like the Harry he knew back at college, the weak, but attractive lad that was part of the wild set at Trinity. Something seems off, which Gregson puts down to Harry's wife.
However, at the Manor, Harry's wife is sweet and cool. However, too calm, and too pleasant - the atmosphere was too unreal.
When Margaret leaves the room, Harry starts talking about distasteful topics that make Gregson feel sick. Eventually, they return to Margaret, and Gregson sees that her calm has slipped into fear, before she realises that they are there and fixes her face into calmness again.
Awakening from a dream in which Margaret is asking for his help, Gregson, at 1 am, visits the Manor. Margaret has been locked out of the house, not for the first time.
Gregson manages to coax out what has been occurring up at the Manor: nearly a year ago, Harry collapsed and when he awakened was not himself. While he knew all of Harry's friends and had all of Harry's memories, it is not Harry. It is fiendish and cruel in unusual ways. They manage to get back into the house where Margaret shows Gregson the portrait of Henry Montford Lorrimer, a wicked man, who was killed in a duel at the age of 33.
Gregson then tells her he must visit a friend, promising to be back in two days. His friend, Sanderson, was an expert in the occult. He advises that only love unclouded by fear can bring the possibility of returning Harry to the control of his own body.
When Gregson returns, he tells Margaret what he has discovered. Margaret realises what she must do. Hiding the key to the wine cellar, she invites confrontation with Henry, telling him that he cannot hurt her, even if he breaks her arms. She calls out to Harry, who responds before fainting. Upon his revival is becomes clear that he has no memory of what has happened.

In the final entry, we find Gregson staying with the Lorrimers, now in Kent, with four children, having sold the Manor with all of the contents. Henry Montford Lorrimer is never discussed.



Review
I found this to be quite a weak story that resolves without issue and a fair easy manner. Because we are not told details of the wicked things Henry has done, or any of the vile things he tells Gregson, we are so far distanced from the evil as to not be touched by it.
Sadly, no fear is generated by this story. No disturbance or worries for any of the characters. While Margaret acts supremely with bravery, she only has to do so once, which seems odd if Henry is such a strong being. They neatly sell the Manor, contents and all, and move to Kent. Everything is tied up very neatly with no apparent after effects for Harry.

One thing worth mentioning is Crompton's mention of Addison's Spectator. The Spectator originally ran between 1711 and 1714, generating over 500 issues as a periodical. Publishing essays, the publication was then collected into eight volumes and was still popular in to the 1900s. 

TV Series: Just William (1994-1995)

This is the William series of my childhood. Without it, I may have never known of Just William, so I am forever indebted to all the crew of this two season series.

This series features Oliver Rokison in one of only two roles he has played (the other is Young Wallingford in Goodbye, Mr. Chips). He made me feel like I could be one of the Outlaws and, of course, I needed to read more of these adventures! While my version of William deviated, over time, from Oliver's, I am so grateful for him leading the way.

Series 1 aired between 13 November and 18 December 1994. The episode list was:
William and the White Elephants
Finding a School for William
William and the Great Actor
William's Birthday
William and the Russian Prince
William's Busy Day

Series two, which aired between 12 November and 17 December 1995 showed:
William Clears the Slums
Boys Will Be Boys
William and the Ebony Hairbrush
William and the Old Man in the Fog
Parrots for Ethel
William Turns Over a New Leaf

 

21.4 Portrait of William

Quote from the story
""It's jolly decent of you," he said for the thousandth time"
- William

This story begins with Jumble running out into the road to chase a rat he's spotted on the far bank. He gets hit by a car, however the woman driver, who we later discover is Miss Bryce, far from displaying the indignation of other drivers, takes them immediately to the vets. She acts lovingly towards Jumble and pays the bill. Before she can take them home, she needs to her home in Hadley, telling William and Jumble to stay in the car and she'll be as quick as she can.

Almost as soon as she is in the front door, a man, Mr Faversham appears from the side door. Commanding William to follow him, he then proceeds to draw him; with William responding "I say, I don't want to be drawn". The feeling between the two is mutual.
When the girl returns to the artist exclaiming that she can't find the boy, the artist replies that he is here. However, it becomes clear that another boy, named Freddie, was supposed to be having his portrait drawn for an aged aunt in America. The artist is at first annoyed that he has wasted his time, but friendly relations are formed when William simply says "It's jolly well been wastin' my time as much as yours".  As the aunt has never, and likely will never, see Freddie, the artist wants to send his William sketch and not waste any additional time on this job.
Miss Bryce is Freddie's mother's help and is likely to gain the wrath of said mother is the sketch isn't done by the time she returns.

We re-join the story several months later, with the Outlaws in the woods near Marleigh. They are discussing Sir Gerald Markham's new groundskeeper for Marleigh Manor, a Muggeridge. The Outlaws have of necessity become enemies with "Chief Mugface" due to their incessant fires, tree climbing, and general running wild through the woods. Recently, Victor Jameson had been caught in place of the Outlaws and Sir Markham had written home to his parents - the letter delivered in one hand by Mr Muggeridge, while still holding Victor's ear in the other.

Of course, William, as Chief Hawkeye feels that Chief Mugface wouldn't try such a thing with them! Which gives them confidence, until they hear Mr Muggeridge make his way towards them, making the leap to their feet and scamper. Unfortunately, William has tripped on a tree root and become ensnared in Mr Mudderidge's grasp. William tries to convince him that he's from Scotland Yard, here to trap a few trespassers for him, however, this quickly leads to an attempted bribe, which leads to William becoming the head of the gangsters.

Mr Muggeridge is silent until they reach Sir and Lady Markham. Sir Markham is threatening a letter to William's father when an old lady pipes up that it's Freddie. As Freddie, William is released by Muggeridge. Tea with his 'great aunt' and the Markham's follow. William tries to excuse himself, but Freddie's great aunt insists on taking him home. William agrees as he doesn't want Miss Bryce to get in trouble. He then says that he's staying with William Brown's family, but his great aunt want to speak to Mrs Brown about him staying with her instead.

While Mrs Shoreham goes to speak to Mrs Brown, William hides in his room. There is a great confusion and Mrs Brown seeks William out, who says that he just looks like Freddie and is often confused with being him. Just then newly married Mr and Mrs Faversham pop by to see William as it was the portrait that started off their relationship. William points to Mr Faversham saying that he can explain everything, taking the former Miss Bryce to see Jumble.

Characters	Places
William	Freddie's home
Jumble	Marleigh Woods
Miss Bryce (then Mr Faversham)	Marleigh Manor
Mr Faversham
Mr Muggeridge
Sir Gerald   Markham
Lady Markham	Gangs
Mrs Shoreham (Freddie's great aunt)	Indians (William as Chief Hawk   Eye, Mr Muggeridge as Chief Mugface)
Mrs Brown

Jimmy Story Review: 1.3 The Mousse

Jimmy and Roger have been invited to the birthday party of the girl next door, Sally. Jimmy is excited and has bought Sally a present, Roger does not want to go: "A soppy girl's party".

Sally is 9, an age inbetween Jimmy's 7 years and Roger's 11 years. This makes her view Jimmy as a baby (which he can't bear) and Roger as a hero.

Jimmy had purchased the gift of a paint box for Sally, which he'd saved up for. This goes down like a lead balloon as she unforms him that she has three now, which were given to her during the intervening period. Jimmy is saddened and wonders how to make it up to her.

Miss Manning asks Jimmy to read the note from Sally's mother as she's forgotten what time to arrive at the party. Along with the time is a list of things to bring, including mousse - which Jimmy mis-reads as mouse.

After looking long and hard for a mouse, including the blitzed house, Jimmy actually comes across a woman carrying a mouse in a humane trap. She, apparently, catches them at her home, walks a way, and lets them go.  She is more than happy for Jimmy to take the mouse, trap and all.

Upon reaching the party, evidently expecting everyone's excitement at his new present, Jimmy opens the trap. People run away and towards the mouse in a frenzy, the ultimate consequence that Jimmy is left pariahed from the event.

However, Roger comes up and congratulates Jimmy on such devilry, saying that he's always wanted to do that. Although, when Sally comes to ask Roger to dance, he "sheepishly, self-consciously" agrees, but avoids Jimmy's eyes as he does do.

Jimmy is in the happy position of having the plentiful leftovers at his command - an opportunity that he's planning to make the most of!

As for Roger, I guess girls aren't just soppy creatures after all!

Characters:

Jimmy
Roger
Mrs Manning
Sally
Sally's Mother

MIST Story Review: The House behind the Wood

The House behind the Wood is the sixth story from the compilation called MIST and other stories by Richmal Crompton.

Synopsis

Having run out of petrol, a good six miles from the nearest settlement, Monica, husband Frank, and their friend Harold are trying to see if there are any houses close by.
Harold sees a light in a window just behind the woods. All three trundle along a very muddy path tightly enclosed by trees and undergrowth. Having arrived at the cottage, no light can immediately be found, however through a bush they see the lighted window.
The door is eventually answered by a little wizened man, who reluctantly lets them stay the night. Having been showed to a room that they may share, Harold suddenly sees Monica in a new light. This woman that he has known his whole life is now exquisite to him. The caretaker then joins Harold and Frank in getting a few provisions from the car, they take the shortest route along the very muddy path.
Upon their return, it becomes obvious to Harold that Monica now returns his unspoken feelings. It becomes obvious to the caretaker too, who sets Harold up in another room.
In the middle of the night, the caretaker wakes Harold to say "She's in the garden waiting for you, sir.". Harold immediately rushes to meet his love and they run into the woods together, heading for the car. Just minutes later a furious Frank chases them with a stick with a mind to attack Harold, who has waited all evening for an excuse to strangle Frank's "thick red neck". A cackle from the house and a low moan from the road breaks the spell.

Monica has fainted, half in and half out of the car. Frank convinces himself they were all having nightmares and apologies profusely - to which Harold readily agrees. Dawn approaches and a cyclist takes and SOS to the nearest garage for petrol. They then head for the nearest pub before intending to return to collect their things and tip the caretaker of the 'unhealthy' house.
While Monica and Frank go upstairs, Harold hears the tale of this cottage from a maid that used to work there, who now works at the pub. She tells that Mr and Mrs Trammet lived in the house, but Mrs Trammet fell in love with Mr Trammet's cousin, Mr Moxton. The butler would send message between the two, but didn't like Mr Moxton.
When it came time to elope, the butler woke Mr Moxton to let him know that Mrs Trammet was waiting for him in the garden. However, he then told Mr Trammet what was occurring. The reason he told Mr Trammet are unknown, perhaps he didn't like Mr Moxton.
Mr Moxton strangled Mr Trammet to death, but not before receiving such a smash on the head that Mr Moxton died before trial. Mrs Trammet died within the year. The butler became the caretaker, but also died the previous year, of a kind of fit.
The barmaid tells Harold that the night before was the fifth anniversary of this terrible tragedy.

Monica and Frank return, with Monica avoiding Harold's eyes. Harold and Frank go to collect their things and cannot find anyone in the house. When they look at the muddy path, in an attempt to find the caretaker; the caretaker's footprints cannot be seen. 

 

Review
Richmal Crompton has a knack for taking the place we are supposed to feel safest: our home, and turning it against us with various nightmarish scenarios. The House Behind the Wood is no different.
Harold, who has known Monica his whole life and sees nothing in her, is suddenly besotted with her upon entry into this cursed abode. Frank is oblivious, however the all-seeing caretaker is not. While making Harold sleep in another room, he then tells Harold that "She's in the garden waiting for you" (interestingly not mentioning Monica by name, so likely the original words of that fateful night). As the evening progresses, you can really feel Harold's love for Monica being matched by his newfound hatred and eagerness to get rid of Frank.
Fortunately, for our cast of characters, all is well in the end - perhaps even better as Frank and Monica appear more in love than ever.
Perhaps, quite a soft ending to a story that was being set up for a vicious ending. Being told of previous events rather than living them always softens the blow and takes the emergency and vividity out of them.

To read the story, and the rest of the book, buy it from Amazon by clicking the cover below: